London, United Kingdom – Friday 05 November 2021, LBTH, FITF – Daedalus Theatre Company, Gerrard Winstanley’s Mobile Incitement Unit. 
East at Rich Mix – Photo: Simon Daw 
Mobile Incitement at the Freedom and Independence Festival 
A Place at the Table: Jennifer Muteteli and Anna-Maria Nabriye 
Selfish at The Arches, Glasgow: Graeme Mackay, Susan Worsfold and Onur Orkut 
APATT at AIUK – Photo: Harriet Stewart 
Mobile Incitement at Brixton City Festival 
East at Boi-Lit 16 – photo by Shoayeeb Chamak for BSK 
The Black Smock Band – part of the Silk River project 
Mobile Incitement at Brixton City Festival 
Saturday 05 August 2017, LBTH – Sef Townsend and Alia Alzougbi of East at Great Day Out at Victoria Park – Photo, Rehan Jamil 
Mobile Incitement at Latitude Festival – Photos: Andy Bannister/Payam Torabi 
East 3 at the Boishaki Mela 
Jennifer Muteteli and Anna-Maria Nabriye in A Place at the Table, CPT 
Woodland Walk pilot – Photo: Tan Nidhivir 
Mobile Incitement at Brixton City Festival 
East at Boi-Lit 16 – photo by Shoayeeb Chamak for BSK 
Mobile Incitement at Ovalhouse 
East at Boi-Lit 16 – photo by Shoayeeb Chamak for BSK 
East at Boi-Lit 16 – photo by Shoayeeb Chamak for BSK 
An East Storytelling holiday workshop 
Mobile Incitement at the Freedom and Independence Festival 
Woodland Walk pilot – Photo: Tan Nidhivir 
East Storytelling at The Big Day Out, Victoria Park 
Mobile Incitement at Latitude Festival – Photos: Andy Bannister/Payam Torabi 
Onur Orkut in Selfish, The Arches, Glasgow 
East at Rich Mix – Photo: Simon Daw 
An East Storytelling holiday workshop 
Graeme Mackay in Selfish, the Arches, Glasgow 
Grace Nyandoro and Seboelo Majozi 
Mobile Incitement at Latitude Festival – Photos: Andy Bannister/Payam Torabi 
APATT at AIUK – Photo: Harriet Stewart 
East at Rich Mix – Photo: Simon Daw 
Susan Worsfold in A Place at the Table, CPT 
Sef, Shamim and Paul at Boishakhi Mela 
London, United Kingdom – Friday 05 November 2021, LBTH, FITF – Daedalus Theatre Company, Gerrard Winstanley’s Mobile Incitement Unit. 
Susan Worsfold in Selfish 
Some of the East Storytelling community 
A Place at the Table at Amnesty International 
Some of the East Storytelling community 
Selfish at CPT – the set
When the pandemic struck in 2020 we had a tour arranged for our gig-theatre piece Gerrard Winstanley’s True and Righteous Mobile Incitement Unit, and were in the middle of fundraising. That tour didn’t happen, obviously, but five years later one of the venues has invited us to perform. It will be part of a season of performances, talks and other events looking at the theme of protest and Exeter’s role in the Civil War period. The venue is St Nicholas Priory, a fantastic mediaeval building in the heart of Exeter. We will be working with local historians and performers to create a really special version of the show.
As we enter our third phase of our new project, Dysbiosis, we are a team that continues to grow, and so here we have it: our latest spotlight on our newest team member, Amy Daniels. Amy joined us to present our first public sharing of Dysbiosis at the Omnibus Theatre last month as part of the 96 Festival and will be leading on the lighting design for Dysbiosis here on out.
Amy has been a lover of theatre since she can remember. She studied English Literature at the University of Sussex, then fell in love with all things production during a year abroad at Stony Brook University in New York. She works on a wide range of performance, with an emphasis on the political, the playful and the pondering. Find her full credits and portfolio on her website – www.amydanielslighting.com
Tell us about yourself and your creative practice.
After two R&D phases and more than two years in development, we’re finally ready to share Dysbiosis, our latest theatre project — and we’re doing it as part of the 96 Festival on its tenth anniversary.
We’re thrilled to bring this work-in-progress performance and exhibition to Omnibus Theatre in Clapham, South London, marking an exciting moment for Daedalus as we step outside our usual East London base to join this landmark festival in a vibrant new context.
About the Show:
Dysbiosis is a queer-led, multimedia performance that unearths the tangled connections between queerness, place, nature and environmental justice. Developed through collaboration with working class, global majority and LGBTQ+ Londoners, it weaves together original music, spoken word, performance and visual storytelling to explore how we live in and with the natural world.
DYSBIOSIS is a creative wellbeing programme designed to improve mental health, reduce loneliness, and support underrepresented communities in London. Through multi-artform public workshops, a one-day conference and a touring exhibition, the programme fosters social connection, builds confidence and promotes sustainable, creative practices.
We have most of the funding, but our Arts Council grant is conditional on our raising some of the funding ourselves. You can help us achieve this, by donating and by spreading the word; we’d be very grateful!
Do you have a story to tell about kindness in Tower Hamlets? We’re looking for storytellers with Caribbean, Somali, or/and West African heritage. If you have a story about acts of kindness, migration, or how Tower Hamlets has shaped your life, we want to hear from you!
About the Project: We’re thrilled to announce Tales of Tower Hamlets, a new storytelling event celebrating the theme of Kindness from the EAST Project. This project will explore the rich history and diverse cultures of Tower Hamlets through stories of migration, community support, and kindness—especially stories of kindness shown by migrant communities to newcomers such as refugees and asylum seekers.
What We’re Looking For:
- Stories about acts of kindness within migrant communities in Tower Hamlets.
- Experiences of newcomers, especially refugees and asylum seekers.
- Historical migration stories linked to East London.
- Contemporary stories about migration today.
- Personal stories—if you feel like sharing!
- Stories that reflect the awesome diversity of East London and Tower Hamlets.
Eligibility:
For our final Dysbiosis artist spotlight, we meet director, writer, and performer Nuke Lagranje (he/they), whose work draws deeply from his experiences as a queer, neurodivergent person. In the first R&D phase in 2023, Nuke embodied one half of a two-headed, non-human creature—an abstract entity accidentally conjured by an artist. This creature weaves together elements of fairy lore, huldras, and other mythological beings, reflecting a connection to nature and the unseen.
Assistant Director Tasnim sat down with Nuke to discuss his creative practice, the intersections of queerness and nature, making new connections in the industry, and more.
Tell us about yourself and your creative practice.
My name is Nuke. I direct, write plays and prose and act now and then. My focus when I write or direct is usually magical realism, social activism and psychology. I produced, wrote and directed Constant Reprises. I am Spanish-Dominican, I grew up in Madrid, moved to England for university then moved to London after graduating from Portsmouth. I am queer, Black-Caribbean and… I love dogs.
What does ‘dysbiosis’ mean to you?
Come along to a relaxed, creative workshop exploring our relationship with nature, part of A Season of Bangla Drama 2024. The theme for this year’s festival is hope. Nature has long been a source of endless inspiration for creativity. It inspires a lot of emotions and brings hope to many of us; something we look forward to exploring in this iteration of DYSBIOSIS.
Discover unknown pockets of nature within Tower Hamlets’ cityscape. This can unlock stories old and new about our multifaceted relationship with nature. Hosted at Mile End Park’s Ecology Pavilion, this workshop offers a chance to explore your creativity. Interdisciplinary artists Paul Burgess and Tasnim Siddiqa Amin will guide the session. There will also be a discussion around how local issues such as air pollution connect with global challenges like climate change. You’ll create a personal artistic response and collaborate on a group piece. A light lunch is included.
Join us to be guided through a creative process that explores your own responses to the themes. No experience necessary!
We are a cross-disciplinary, queer-led theatre company that explores big ideas. We manage intergenerational, cross-cultural projects and activities in Tower Hamlets and beyond. This workshop is part of the larger Dysbiosis project exploring our social and personal relationships with nature and has mainly been developed with the support of Queens Theatre Hornchurch and the Havering Changing.
Daedalus Assistant Director and Producer Tasnim Siddiqa Amin is joining with theatre-maker Yael Elisheva to present her new play, The Final Trumpet, at this year’s A Season of Bangla Drama. Yael, who will be directing, is also part of the team creating our Dysbiosis project, and it’s always extremely rewarding to see creative relationships from our own work blossoming in other projects by other companies.
The Final Trumpet is a story about a mother and daughter who are homeless as a result of flooding. They join millions of other present-day Bengalis in a search for refuge in their own country. From village to village, they hear stories which come from folklore and Islamic legends. These revolve around the reasons for so much disturbance in the natural world. Follow them on their journey in one woman’s mission to find refuge. Her inquisitive ten-year-old daughter is intent on finding out why this has happened. The unfortunate circumstances highlighted in these folk tales also allude to “global warming.”
For our seventh DYSBIOSIS artist spotlight we turn to the exciting, socially engaged work of multidisciplinary musician, composer, theatremaker and poet Shakira Stellar. In the first DYSBIOSIS R&D, Shakira crafted an ambient soundscape using lichen as a musical score, imitating its structures and textures using a synthesiser. During the second R&D, Shakira delved deeper into the symbiosis between the drummer and the earth, treating music as a dialogue of vibrations and frequencies. Through this exploration, Shakira sought to subvert the ancient notion of the “Great Chain of Being,” reimagining rocks and minerals not as the lowest, but as vital, resonant voices in the cosmic symphony.
Tell us about yourself and your creative practice
I’m a multidisciplinary artist, primarily working as a drummer and composer, but I’m also a poet and theatremaker. I fuse these mediums and approaches all the time and love doing so. I follow what sparks my interest and love to try new things so my practice is always developing and growing, which leads me to meet and work with new people, which is so wonderful. I love to learn new things, I’m so happy when I am, so who knows where my artistry will go!
How does your heritage influence the way you view/value nature?
In recent years, there has been a significant push for environmental responsibility in the UK’s theatre sector. A particular game-changer was the launch of the Theatre Green Book, a simple and easy-to-use framework based on maximising reuse backed up by detailed guidance and a range of tools.
Although we are not a company that uses a massive amount of resources, we have signed up. This is partly because we want to uphold good practice and improve our environmental impact. It’s also because thinking ecologically is core to our artistic project. We make our work in a social and environmental context and take responsibility for our role within that.
A while back, we signed up to Ecostage, which provides a great framework for this more holistic approach. Signing up to the Theatre Green Book provides us with a more specifically quantitative, resources-orientated way of measuring the impact of our projects.
There’s another connection too. Our artistic director is the coordinator of the Society of British Theatre Designers’s working group on sustainability and a co-director of Ecostage. As such, he has been involved with the Theatre Green Book in various ways, not least in compiling feedback from the UK theatre design community to create a report that formed part of its initial research phase.
We’re excited to see where this leads us in our journey towards an ecologically engaged practice, starting with our Dysbiosis project, which is already exploring this approach.